Or: What is it that [“original” artist] doesn’t have that s/he would have if [other artist] had never appropriated the[ir work]? What is it that Heath doesn’t have, that he would have if Lichtenstein had never appropriated the panel? via On Lichtenstein and “theft” | parker higgins dot net.
The doorbell rings. Young daughter answers. Nobody is there. She looks down. There’s a package. From Amazon . . . Be sure to make the video on the left fullscreen after clicking this link. Take note if the simple, aural addition of strings is enough to evoke an emotional response in you. How scary is…
Agreed. …humans are bright enough to think our way out the problems we think ourselves into. via Neil Gaiman: How I learned to stop worrying and love the duplicator machines – Boing Boing.
I’m excited to find out about this book. I wasn’t aware that Cory was working on something non-fiction. The second quote below defines the internet as “one great big copy machine” which is amusingly accurate. I had the opportunity to ask an interviewee for a one-word definition of the internet. Her response was the word…
Had an idea for a thing. At the moment I’m calling it <broken poets> Clark was having one of his moments.”There were roughly three thousand people using public transport that day; thirty-four where riding on the bus in question; eighteen were Caucasian, twelve were Hispanic, two were black, two were Asian; nine were wearing hats: three…