Category: art

  • One True Thing

    One True Thing


    TL;DR

    I’m asking you to submit a single sentence that tells your own One True Thing about working in tech for a unique performance at this year’s PyCon conference. Please click here to submit (takes less than a minute!).

    Or, if you’re up for something more involved, to submit a longer proposal for the larger event.

    Last Year

    At last year’s PyCon I was one of several writers and performers at a Hatchery event called The Art of Python, which sought to encourage and showcase novel performance art that aimed to help technologists share their emotionally charged experiences of programming. I wrote and performed an original show titled Hello!!! … World? which outlined my own trials and tribulations in a series of vignettes on trying to get into programming without being around or knowing anyone personally who was a part of those communities. As a small taste, one vignette was titled on submitting a question to stack overflow.

    This Year

    This year I’m part of the team that’s organizing the event again. We are aiming to create a dramatic narrative around programming and programming culture that shapes so much of all of our daily lives (from our smart phone interactions to surfing the web to banking and even reading this post). We are interested in how fictional narrative, visual and performance art, and different presentation formats can lead to a new sort of self-consciousness and reflection on culture. All society is permeated by technology, whether or not someone is a programmer, and most people have had positive, neutral, and adverse interactions with technology (whether building, consuming, or indirectly being impacted). In short, technology is not a black or white issue, but instead a collection of frustratingly similar shades of gray.

    The Zeitgeist is teeming with moral and ethical issues both in and brought about by computer technology―be it developers challenging companies’ practices that conflict with personal values, software licenses trying to append morality clauses, the increasing omnipresence of technology that enables controversial surveillance, or the seemingly endless push toward dark patterns in design.

    Technologists face many ethical and moral decisions in computer science and software development. What was the situation? What was the ethical and/or moral discord? What decision was made? How did you come to that decision? What was the outcome for all stakeholders? How do you feel about it now? What might you do differently in the future? Why?

    These questions take time to answer and are difficult to dramatize successfully to honor their truth.

    An Old Technology

    Storytelling is an old technology―a powerful medium―through which we gain empathetic understanding.

    All culture is now technological culture to some extent. We believe it is important to integrate the stories of those making this technology to broaden their lexicon and ours. We must highlight their ethical struggles to bring greater transparency and self-consciousness to both technology industry professionals and the public at large. Hopefully this also inspires empathy for all people, and urgency for any obvious changes that result from our workshops and the resulting art.

    From Audience to Creator

    While our event this year will have unique and pre-rehearsed performances as we did last year, we will also have a workshop following the scheduled performances. During our workshop we will discuss collaboratively how a variety of issues have cropped up in the lives of the programmers participating, as well as the end-users who experienced the technologies. Everyone will have a chance to work with the other directors and playwrights in order to take these insights and begin to turn these stories into dramatic narratives highlighting the personal struggles of these developers that are building the technology that ends up on the front pages of our papers and the billions of tiny-screened pocket computers.

    One True Thing

    As a part of the planned performances we want to transition into our workshop with a series of real issues crowdsourced from the broader tech community. To that end, we’re asking you to share One True Thing with us so that we can share your truth at PyCon this year (and elsewhere) in a collaborative performance that we hope will inspire more art from technologists.

    One True Thing is a performance comprised of single-sentence statements of truth crowd-sourced and eventually read out loud by members of a live audience as statements of someone else’s truth to be publicly shared and communally experienced.

    Examples

    Note: At the moment I’ve sourced these from technologists on Twitter. Obviously every group would provide their own unique takes, so these should serve only as an example.

    Here are some example statements:

    • “Racism struggle does not belong to one race.” – @LambyTech
    • “Mentors are incredibly important for succeeding in tech” – @js_tut
    • “I always joke that someday I will quit the tech industry so I can code all day” – @sarah_edo
    • “Moral and political issues of tech aren’t moral and political issues because they are tech.” – @dingstweets
    • “A women in tech recently asked me if I had any advice & all I could think of was: have the patience to prove people wrong the rest of your career.” – @jessfraz
    • “When you ask a Deaf person if they can read lips, you are asking if you can put the burden of communication solely on them.” – @csano
    • “you tech people need to hang out with artists and creative folks more, seriously.” – @noopkat
    • “algorithms reflect the biases of the people who make them.” – @evacide
    • “So many of the concerns raised about tech today seem to conflate societal issues with the technology that makes those societal issues more visible.” – @mmasnick

    Share your One True Thing

    Please click here to submit your One True Thing (it takes less than a minute!).

    Thanks for reading and for sharing your truth.

  • Musical Thing(y)

    I spent about five minutes playing around with this thing. Kind of fun. Very colorful. No apparent export tool 🙁

     

  • new art project: Kyle&

    new art project: Kyle&

    time off

    One of the things I’ve been doing this past week is creating art, initially with Kyle& … nobody. I’d been working on some things for the Fedora project on and off, but nothing was really sticking until I started working with my kids.

    My children are very good motivators with respect to artistic output because they’re constantly creating artworks―comic books, sculptures, sketches, oral stories, small performances , and elaborate board games. It’s inspiring to watch them create without burden.

    They have helped me come to a realization about myself―I’m happier when I’m collaborating. It could be my background in theatre, my penchant for teaching, or my constant questioning of my own ideas (and appreciation of other voices to move forward). Collaboration is something I’ve always found valuable because it’s been a valuable part of of the art I’m most proud of.

    Kyle&

    So I’ve decided to call a new project into being. I’m calling it Kyle&. It will be a place (and, mentally, a namespace) where I will collaborate with different people to create something new. I’m hoping it’ll be interesting.

    Perhaps these artworks will be accompanied by a brief interview with my collaborator? Maybe they will be available for patronage in one form or another? Perhaps there will be other interesting opportunities. I don’t exactly know―it’s an experiment.

    this burning heart

    The first of these experiments is with my 5 year old and is called This Burning Heart. She had seen me share things with the internet before and wanted to do so herself. I suggested we work together to create something and this is what we ended up with. She’s proud to have shared something with the internet and I’m happy to have found a new outlet to excite the kids.

    We’ve already done some things with my other kids (they were jealous). Will post about those later. Hope you enjoy This Burning Heart.

     

     

     

     

  • asterisks

    asterisks

    The project preview

    I’ve been working on a project. I believe it’s a good one.

    I have arranged some asterisks―

    asterisks

    ―and also borrowed and modified a line―

    line

    ―then I borrowed some cruft (dusted off from something pretty good, if a little old)―

    stuff

    ―at the end of it all I have some words.

    Cryptic Outro―apologies

    So really, its just a long-time project that began over two years ago that I think still has a place in the conversation about rights, dignity, and human values. I’m hoping to have this out by years’ end, but I’m also wanting to ensure that I’m not missing an opportunity to incorporate some other elements into the work from recent events.

    Perfect is the enemy of good enough.

     

  • Squeak

    Squeak

    I contributed to the most recent Fedora Linux release’s wallpaper. It’s interesting to have seen it pop up everywhere I normally read about Linux as a featured image touting the new releases arrival.

    At any rate, this is a squeak from me. It’s been a while since I’ve posted here (I was off playing with static site generators and custom Emacs scripts), but I’m quite happy to be back. I may migrate the writing I did elsewhere to this blog in time.

    At the moment I’m working to add some portfolio content to this site. My 3×5 artwork series for a local coffee shop finally gave way to heavily manipulated photography series I’m currently in the middle of completing. This return to pixels from vectors is a long time coming. We’ll see how long it lasts.

    Excited to share with you all.

    Squeak! — A-Hem

  • Sound Wave

    Sound Wave

    Getting back into digital visual art a bit. Here’s one from today.

    Sound Wave

  • some rocks

    This is a quick (and ridiculous!) version of a project I’m working on. The final version will be more subdued, but I couldn’t resist quickly creating an animated gif once the thought entered my mind. Thoughts?

    rocks

     

  • National Novel Writing Month

    National Novel Writing Month

    I have wanted to participate in NaNoWriMo for close to a decade―basically ever since I heard about its existence―but I was overwhelmed with my graduate studies and other things (excuses, excuses). Well, I finished graduate school and rid myself of all excuses. Tonight I successfully completed my first NaNoWriMo. Don’t ask to see the fruits of this labor just yet. Like most first drafts, it is in a pretty unfortunate state at the moment. That said, I’m really excited to have the raw material out of my head and on “paper” as much of what I plan to work on in the coming year will derive from this first draft in some way.

    More to come.

    Also, note my wonderful procrastination in all of its glory in the chart below.

    nano-2015

  • workspaces, systems, and old technology

    workspaces, systems, and old technology

    I’ve been thinking about process lately. Okay, I’ve honestly been thinking about process for years. I’ve figured out pieces of my own process over the years through trial and error, reading about other processes, and dumb luck. What I’m most interested in now is how to increase the likelihood of using my own process to the extent that it is identified at the present moment.

    It seems that the best way to improve the use of my own best―at the moment―process will be removing the barriers that hinder continuing or discourage even starting. I’ve identified the primary barrier as the mess of a work area I’ve used through the birth of two children and a PhD[1. if you’re interested you can read my dissertation here]. It’s a tick above freezing in the winter and a constant mess. Home sweet home. The image above is a real shot of my desk without any pre-photo cleaning (promise). What is missing is the disarray around and beneath and before the desk. I grow anxious just walking into the space.

    What is surprising is how much and how little work I’ve put into the arrangement seen above. The 2×4’s serve the dual-purpose of raising the monitor to eye-level and providing a handy space for the keyboard to reside when desk- space is at a premium. Unfortunately I rarely use that latter, pre-planned feature. The keyboard is central to my workflow even when using the Wacom tablet to create or edit pixels and vectors. The hard drive to the right of the under-used notebooks is meant for backups but mostly holds older copies of things I already have newer live copies of (or, worse still, holds unnecessary copies of copies).

    It turns out that I’m a little afraid to even go through the work of cleaning off the hard drive for fear of getting lost in what has become a truly ubiquitous time-capsule of everything (instead of just what was deemed to be most important). Fear, in fact, motivates much of my trepidation approaching the cleaning of the desk and the surrounding areas. But fear of what?

    time

    Time is what I most fear losing. The reframe is simple: I lose time anyway. I wish just saying that you lose time anyway was more motivating. Alas, the human mind is not always rational. Such is life. I find it difficult to get certain things done for fear of losing the time spent getting them done. I might have done something more productive than the thing I’m confident would help most in the future. Again, brains are weird. My poor brain doesn’t want to lose time (that it will “lose” anyway).

    I know this is imprudent. That’s the whole reason I’m writing about it. I’m spending unnecessary time on something less productive to fully explore how productive just doing things can be when you just start. And this is a key factor I’ve discovered over the years about myself―

    I’m more productive when I’m less efficient.

    This sounds either unbelievably stupid or oddly profound. I wish it was wrong. I wish that I could endlessly be driven by efficiency improvements iterated over a lifetime. No matter―the slow way is the productive and efficient way for me. And slow involves some uncomfortable (for me) friends―mainly paper.

    paper

    I desperately want to like all digital technologies, but I like what I like despite all efforts so far. Paper is the main friend that I’m embarrassed to profit from greatly. Paper―despite what I and many others think―is a technology. It’s hard to think of it as such since it’s not battery-powered. This lack of battery is a feature, not a bug. Recognizing the technology aspect of paper is an important reframe for me as it places paper on the same level as other more interesting and distracting technologies. And this is the core struggle because I’ve known forever that paper makes me more productive (while seemingly less efficient). I hate taking the non-digital step in an ultimately digital process. The problem is that if I don’t take the non-digital paper step I don’t get anything done.

    Here’s a drawing I did on an index card a while ago.

    wpid-img_20151019_233417.jpg
    original drawing on index card.

    Listen, I wish I was a better artist but I take that drawing and scan it.

    original scan of drawing on index card.
    original scan of drawing on index card.

    Then I vectorize the image I’ve scanned.

    stones-vector
    vectorized.

    And then I color it and place it back on an index-card-shaped white rectangle floating above the void.

    colored in and floating
    colored in and floating

    That’s a process that I’m using now. I’m trying to own it as the process I use and not focus on the myriad ways I could get lost trying to improve the speed of the process. It’s like that xkcd comic about time―is it worth it to automate?

    xkcd―is it worth the time?

    For now my answer is no.

  • new art coming

    new art coming

    Selection_229

    Selection_230

    Selection_233

    Selection_232

    Selection_231

    hope these are interesting-looking.

  • wave

    3x5-wave

    Interesting what shapes can become if you let them.

  • toy ball 2

    toy ball 2

     

    toy ball 2

    This is interesting. I’ll likely change the colors a bit. Here is a set with the colors looking somewhat metallic.

    metal toy balls

    These images are vectors now. I’ll have to see if there’s anything else I’d like to do to mess about with them more. That said: the shape is still interesting.